Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honored subject matter. Stott takes his cues from various eras of art including the interiors of Vermeer, the still life of Chardin to the realism of Thiebaud. With the addition of retro, vintage and antique objects like rotary telephones, typewriters, electric fans, and alarm clocks, he links the old with the new and applies a subtle narrative to his work, often with a quiet sense of humor.
The banal and ordinary subjects of his work are painted in a celebratory way, turning them in to iconic vestiges of the not so distant past. The simple yet bold compositions are set in variations of neutral grey and white tones. The paintings have repetition, rhythm and an emphasis on the basic geometric designs of the subjects with their finger firmly on the pulse of contemporary representational art.
RESUME
The banal and ordinary subjects of his work are painted in a celebratory way, turning them in to iconic vestiges of the not so distant past. The simple yet bold compositions are set in variations of neutral grey and white tones. The paintings have repetition, rhythm and an emphasis on the basic geometric designs of the subjects with their finger firmly on the pulse of contemporary representational art.
RESUME